Sinafricology: A New Concept of Chinese Africology/Africanology in Chinese Academia

Sinafricology: A New Concept of Chinese Africology/Africanology in Chinese Academia

Study Focus: The present article advocates an “Afrocentric study of Africa” in Chinese academia, examines the concepts of “Afrocentricity”, “Africology”, “Africanology” and finally proposes “Sinafricology” as a new the terminology expressing a Paradigm shift from the existing…
AN ANTHROPOLOGY OF THE AFRICAN MARTIAL ARTS’ BODY TECHNIQUES

AN ANTHROPOLOGY OF THE AFRICAN MARTIAL ARTS’ BODY TECHNIQUES

ABSTRACT: The French anthropologist Marcel MAUS had defined the concept of “Body Techniques” as the ways in which from society-to-society people know how to use their bodies. It involves cultures and traditions developed by Man in relation with its social environment. Martial arts as an indispensable part of human culture, embody the way people understand and use their bodies. They are a set of cultural practices developed by humans for adaptations’ needs. African people throughout history, have developed their own patterns of “Body Techniques” slanted towards the “physical”, the “spiritual” and the “artistic”. Then, through cultural refinement, this has lay down the core philosophy of African Martial Arts with “Combat”, “Spirituality” and “Dance” as intrinsic values. Borrowing MAUSS’ definition of “Body Techniques”, the concept “African Martial Arts” will refer to “a cultural complex of body techniques associated with fighting (Attack/Defense) created by African people in response to their adaptation and development needs over the course of history.” This article uses Marcel MAUSS’ anthropological conception of “Body Techniques” as theoretical foundation, and explores the African conception of “Body Techniques” in the context of African Martial Arts.
Can Western Media Overshadow the China-Africa Storytelling?

Can Western Media Overshadow the China-Africa Storytelling?

The dynamics of the changing global geopolitics have driven China and African Countries more and more close. Guided by their common interests, Chinese and African people through their firm leadership seem to see eyes to eyes on major international initiatives such as One Belt One Road, A.U Agenda 2063, U.N Sustainable Development Goals 2030, etc. However, western media discourses on the China-Africa cooperation tend to reflect a different reality. In fact, Number of reports, articles and documentaries investigating the real motives of the Chinese in Africa have been made so far. Some of the world most influential western media such as BBC have taken the front line to display a western perspective of the China-Africa story. As result,....
Necessity of Restructuring the China-Africa Education Cooperation

Necessity of Restructuring the China-Africa Education Cooperation

Study Focus: This article put forward the necessity of rebalancing the China-Africa Fastest-Growing Economic Ties with a Leveraged Education Cooperation as well as the necessity of restructuring the actual patterns of China-Africa Education Cooperation. Methodology: The content of this paper relies on written documents (including books, scientific journals, articles, and official reports) from primary and secondary sources most of which are available online as well as on the author’s teaching experience in Chinese and African Universities. Findings:..........
Kungfu Movies as Driver of China-Africa Cultural Exchanges

Kungfu Movies as Driver of China-Africa Cultural Exchanges

Study Focus: This article put forward the interest of African youngsters for Kungfu Movies, and then highlights the driver’s role and the cross-cultural communicative competences of Kungfu Movies in strengthening the cultural exchanges as well as boosting the China-Africa Movie Cooperation. Methodology: The content of this paper relies on written documents from primary and secondary sources as well as on the author’s teaching experience and understanding of Chinese Kungfu in Cameroon. The primary sources include the author’s previous research and surveys conducted on 197 Cameroonian residents and fans of cinema in the cities of Douala, Yaounde and Bafoussam. Secondary sources include scientific journals and articles as well as official reports most of which are available online. Cameroon is used as case study. Findings:...............
Difficulties of Research and Innovation on African Humanities: Case Study of African Martial Arts

Difficulties of Research and Innovation on African Humanities: Case Study of African Martial Arts

Study Focus: This article put forward the thorny problem of researching on African Humanities. It uses African martial arts as case study to demonstrates that some historical underpinnings must be fixed to make possible any authentic research and innovation from historical perspectives on African Humanities. Methodology: The content of this paper relies on written documents (including books, scientific journals, articles, and official reports) from primary and secondary sources most of which are available online as well as on the author’s teaching experience in Chinese and African Universities. Findings: (1) The dilemma on the existence of an African history that sparked century old debates among world scholars, going from denial to recognition of Africa’s contribution to the world civilization, unfortunately is not yet settled, for they are still lack of consensus on certain issues, especially regarding the Nile civilization. (2) Cut off from its historical roots of Ancient Egyptian civilization, the study of African Martial Arts in particular and the African Humanities in general will be simply meaningless, for Ancient Egyptian civilization have provided solid archeological evidences for over 3000 to 5000 years history of African humanities despite heated debates still surrounding the Black African Ownership of “Ancient Egyptian Civilization”. (3) The scarcity of African writing systems, the lack of African historical classics, the geographical vastitude and the ethnic complexity of the African continent are among important factors hindering the research and innovation on the field of African Humanities. Conclusion & Suggestions: Unless African humanists dare to settle some imperative questions regarding ancient Egypt so that Black African can fully take responsibility of their Egyptian historical legacy, otherwise the Study of African humanities and the sociocultural development of Africa could not and will not be handled properly.
Cross-cultural Communication of Chinese Martial Arts in Africa

Cross-cultural Communication of Chinese Martial Arts in Africa

Intercultural communication is an interpretive context in which people from different cultures create and share meanings. It’s an adaptative process in which different cultures interact and co-develop. The Martial arts as inalienable part of humans’ culture have played in human history a decisive role in connecting people. The 1970’s  Kungfu movies had introduced the Chinese martial arts to the world, and the establishment of diplomatic relation between the New China and different countries of the world have speed up the global communication of the Chinese martial arts, opening a new window to understand the Chinese people. However, in the African continent, the Chinese martial arts’ communication has been unilateral and influenced by many factors such as the communication carrier, the language barrier, the receiver’s cultural background, etc., resulting in the “onesided” and “biased” understanding of the Chinese martial culture. In general, the lack of the receiver’s perspective in the global communication of Chinese culture has become an obstacle to its internationalization. In fact, in their dissemination processes on the African continent, not only the Chinese martial arts have absorbed many ingredients of local cultures, but have confronted the cultural background and religious beliefs of the local people. ....
Difference Between Chinese and African Martial Arts Conceptions

Difference Between Chinese and African Martial Arts Conceptions

China and Africa have become culturally closer as the relationship and economic endowment between both sides are growing in leaps and bounds. The martial arts culture can provide a new outlook to deepen the China-Africa cultural understanding as well as to open new windows for other cultures to better connect with Chinese and African people. In this regard, this paper looks into the African and Chinese conceptions of martial arts cultures from historical and traditional perspectives. In fact, the trinity made of “Combat+Spirituality+Dance” that constitutes the core values of African Martial Arts is investigated. In addition, some explanatory examples such as Engolo, Dambe, Laamb, Donga, Zulu Stick Fighting etc., still practiced in Africa today and that show the uniqueness of the African martial arts culture are displayed.
Xi Jinping’s Letter: A Testament to the Role of African Scholars in China-Africa Cooperation

Xi Jinping’s Letter: A Testament to the Role of African Scholars in China-Africa Cooperation

Chinese president Xi Jinping wrote a reply letter to 64 African scholars from 50 African Countries, among other scholars were the professor YORO DIALLO, and Dr. TALING TENE RODRIGUE, both researchers at the institute of African Studies at Zhejiang normal Universities. The letter shows the important role played by African academics in providing intellectual support to the China-Africa cooperation in the new era. Here is a part of the story brought to you by SINAFRICANEWS.
Dr. Taling Full Speech at the Global South Think Tanks Forum 2024

Dr. Taling Full Speech at the Global South Think Tanks Forum 2024

" Without peace, there can be no sustainable progress. We must advocate for dialogue and understanding, emphasizing diplomacy over conflict. As representatives of the Global South, we are in a unique position to foster peace initiatives that reflect our shared histories and cultures. Together, we can build frameworks for conflict resolution that prioritize dialogue, inclusivity, and mutual respect. " --- Dr. Taling